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    沙盘模型制作中陶瓷表面肌理的处理方式
    2017-3-21 10:03:07 来源:http://www.jnsymx.com
    陶瓷表面纹理的沙盘模型 处理,加工表面的不同的方法会导致不同的肌理效果,建模者可以理解生产纹理的前提下,发挥他们的创造性的综合操作。改变土壤表面纹理的影响的方式分为两种:一是手工制作的肌理效果,二是改变泥浆材料肌理效果。工业设计专业学者,教学模式研究泥浆材料化学性质,研究重点是主观能动的创造性的发挥,通过各种手工技术来实现这个想法。
    Ceramic sand table model of surface texture processing, processing of the surface of the different methods will lead to different skin texture effect, under the premise of modelers can understand production texture, play to their creative comprehensive operation. Change the way the influence of the soil surface texture is divided into two kinds: one is handmade skin texture effect, 2 it is to change the mud material texture effect. Industrial design professional scholars, materials chemistry teaching model research, research is focused on the subjective motile creative play, through a variety of manual technology to realize the idea.
    (1)印刷机。所谓的印刷压力是使用各种不同的材料在湿泥坯压力,导致材料表面的肌理效果类似的形式。模型材料是不受限制,设计师可以根据自己的想象力想象,可以让一个材料印刷压力,如树枝和树叶,按钮,扭转头,刷,麻绳,伶牙俐齿,项链,等等,也可以是任意的组合两个或两个以上的印刷材料。
    (1) printing press. The so-called printing pressure is the use of a variety of different materials in wet mud pressure, lead to similar form material on the surface of the skin texture effect. Model material is not restricted, the designer can according to your imagination imagine, can let a material printing pressure, such as tree branches and leaves, button, turn head, brush, hemp rope, sharp-toothed, necklace, and so on, also can be any combination of two or more than two printed material.
    (2)线。通过捏泥中的所有个性化静脉装饰表面的形式发布。需要贴在所有模式的作品次用干净的湿布包裹揉好备用,把湿泥或其他特征处理方法稳定性好,防止在工作台上,与陶瓷针在灰色泥糊的部分位置和塑造模式的头发,词缀模式后涂上泥。贴一粒方式非常灵活,根据设计师需要形成各种各样的创意形式,但贴线仍然需要注意一些问题:一个是贴的图案当注意强硬右派,轻轻压在板表面的泥土,但彼此之间不可能有孔隙,或在火灾中轻易脱落;二是发布系统的过程中应始终保持纹样和身体水分,否则很容易脱落,三种模式不能太重,否则泥浆板表面可能无法承受的重量纹样和幻灯片。
    (2) line. Through the clay in all forms of personalized veins decoration on the surface of the release. Need to stick on all patterns of work for the first time with a clean damp cloth wrapped kneaded standby, the wet mud or other characteristics of the processing method have good stability, prevent on the workbench, and ceramic needle in the grey mud paste part of the position and shape the pattern of the hair, affix mode after coated with mud. And pasted a grain is very flexible, according to the designers need to form a variety of creative form, but stick lines still need to pay attention to some problems: one is the patterns of the stick when pay attention to the hard right, gently pressure in soil on the surface of the plate, but there can be no between pore, or fall off easily in the fire; The second is the process of publishing system should always keep grain appearance and body moisture, otherwise it's easy to fall off, three models can't is too heavy, or mud plate surface may not be able to withstand the weight of grain appearance and slides.
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